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Cornel wilde movies revolutionary war11/19/2023 Then, at exactly 120 minutes, right in the middle of the climactic fight, the screen goes white and the house lights came up. When the last man took his seat Ford signaled the projectionist to dim the lights and run it. As the story goes, a few days later he called the brass and informed them 'the final print' was ready for the screening. Ford did his level best to contain his ire as he collected his film and fumed out the door. They stood their ground and sent him back to cut nine minutes. Ford staunchly objected, claiming he already cut out 'all the fat' and there was nothing left to cut. They reminded him they would not release a film over 120 minutes, claiming that audiences could not/would not sit in a theater for over two hours. When Ford screened his final cut for the studio's top brass they liked it, but it was 129 minutes. I was mad as hell, but I had to laugh too. He made me keep it on for the rest of the day. Ford had given instructions that I was not to be brought a bucket of water or a towel. According to O'Hara, "Duke had the time of his life dragging me through it. This went on and on until right before the scene was shot, when Wayne and Ford got in the last kick. O'Hara and her friends kicked it off again, and Wayne and Ford kicked it back. O'Hara saw them doing it, so with the help of several friends, she kicked it off, only to have Wayne and Ford kick it back on. Before shooting the scene, Wayne and Ford kicked all of the sheep dung they could find onto the hill where O'Hara was to be dragged, face-down, on her stomach. They chose the sequence where Wayne drags O'Hara across the town and through the fields. Wayne and John Ford decided to play a trick on O'Hara during filming. "What would a bald-headed son of a bitch know about hair lashing across his eyeballs," she shot back. Ford screamed at her in the strongest language to open her eyes. In the scene where John Wayne discovers Maureen O'Hara in his cottage, the wind whipped her hair so ferociously around her face, she kept squinting. But since the movie was being filmed in sequential order, she was unable wear a cast to fix the broken bone for the remainder of the picture. When he blocked the blow, she broke a bone in her hand. John Ford agreed to cut costs and got Wayne and O'Hara to work for well below their standard rates.ĭuring the scene where Wayne first kisses O'Hara, she slaps his face. The budget for the movie was $1,750,000, which was huge for a Republic Pictures production. Victor McLaglen played O'Hara's brother in the film, but as she was 31 and he was nearly 65, many critics felt he should have played her father instead of her brother. In her third film for Ford and second with Wayne, O'Hara played "Mary Kate Danaher," the reluctant focus of attention from Irish-American boxer "Sean Thornton" (Wayne). John Ford's pet project, THE QUIET MAN, appeared in 1952. Sol Kaplan's score was released earlier this year by Counterpoint. Dell gets involved with two criminals (Peter Lawford and Richard Boone) who ingratiate themselves with McGuire in order to swindle him. The first American film shot on location in Australia, KANGAROO saw O'Hara starring as "Dell," the beautiful daughter of Australian rancher "Michael McGuire" (Finlay Currie). As a result, the film was not released until February 1952. RKO producers Norman Krasna and Jerry Wald oversaw the retakes at the request of RKO head Howard Hughes. In late September 1950, it was announced that Cornel Wilde was returning from England to star in added scenes. Lewis Allen directed the film, which completed principal photography in February 1950. The fourth Musketeer, Athos, sends his daughter Claire (O'Hara), an expert swordswoman, who dresses in men's clothing. Three of the Musketeers have grown sons-D'Artagnan (Cornel Wilde), Aramis (Dan O'Herlihy) and Porthos (Alan Hale Jr.)- and the young men eagerly respond to the Queen's summons. This tale, set in the France of 1648, finds the descendants of the Musketeers seeking to save the French Queen (Gladys Cooper) from the power-hungry Duke de Lavalle (Robert Douglas). O'Hara re-teamed with Cornel Wilde (THE HOMESTRETCH) for the 1952 swashbuckler AT SWORD'S POINT. Non-Film Score Discussion: Maureen O'Hara Passed Away
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